Flip Books and 3D Printing

I found one thing I miss from living in Utah, the Sundance Film Festival in Park City. I took this photo in 2014 on our annual–go see what it’s all about—visit. We had the opportunity to say hello to Sam Shepard and to Gilles Marini.

© 2014 Louise Levergneux, Sundance Film Festival

© 2014 Louise Levergneux, Sundance Film Festival

Getting back to the work at hand. It’s difficult to keep the processes and steps straight with three projects on the go, no four! 

I’m waiting for an order of paper to finish the last two copies of my book entitled Conversation. After two months, finishing these copies with my notes might be a challenge!! 

Meanwhile, I’m tinkering with Tinkercad for my second book entitled Finding Home. An emotional project that tackles my experience of living in Idaho while still rooted in Canada... I will discuss the many changes and end product later.

I am learning the ins and outs of 3D printing and enjoying the sculptural facet of the process. A third print is happening today and will take nine and a half hours to print over 497 layers. Fascinating!

I thought it might be fun to sit and take photos as my object was printing till I saw this timelapse video of a Ultimaker 2 printing a deer. Have you ever heard the expression “it’s like watching paint dry”

3D Printing of a Christmas Deer based on Thingiverse model: http://www.thingiverse.com/thing:571949 An excellent model that prints really well. Only issue was with the left back leg that was hit by the nozzle at 1:15 Luckily this didn't affect the rest of the printing and resulted in just a small defect.

The binding and slipcase for my artists’ book Xtraction is also in the queue to be 3D printed, hurray!

While we wait for paper and prints, lets look at the steps it took to create the flip book for Xtraction. The idea grew from this X-ray. In this instance I used a mix of stills and video taken with my Sony D-SLR.

© 2013 Louise Levergneux

© 2013 Louise Levergneux

 1. First, the stills are manipulated in Photoshop and the video manipulated in iMovie

2. Next, I import the frames from the video into layers in Photoshop

3. Once, the layers are all chosen and sequenced, they are resized into another Photoshop template, I number all the pages—yes, number, it makes it easier to sort. Have you ever had 120 unnumbered pages fall to the floor and not knowing the sequence? I have! FUN! FUN! FUN!

4. All the adjustments in the next step is great fun for people with OCD, as all the layers have different opacity between bottom and top layers for each group of images. The flip book has 120 pages counting the colophon

5. Shown are 13" x 19" sheets of pages in Bridge ready for print

© 2014 Louise Levergneux, Xtraction

6. My printer co-operated, thank God! This does not always happen, everyone knows that! I start the cutting phase after the sheets rest for 24 hours. This time relaxes the paper and removes any curling from wet ink. Dried ink allows the paper to be handled without concerns 

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

7. Each page goes through a five steps cutting process, this ensures perfect placement of image on each page. The time taken in properly cutting each page properly gives a smooth action when flipping pages. I know these steps by heart after cutting pages for 156 flip books in the last 3 years. First cut is done by dividing the sheet in half.

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

The second cut is done by following the cutting lines for the top of each page.

© 2014 Louise Levergneux, Xtraction

Making sure that all the pages are trimmed at the exact same place on the right edge is the third cut.

© 2014 Louise Levergneux, Xtraction

The fourth step is to properly cut the bottom of each page by using a straight edge that will not move.

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

The last and fifth cut is the left side with a pre-determined length for the flip book.

© 2014 Louise Levergneux, Xtraction

I sort and stack, then punch holes through the pages to receive screw posts

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

A small binding with cloth over boards is usually cut and assembled to finish the book. Xtraction has a 3D printed binding so this step is omitted

Voilà, one finished flip book. I will have photos of the completed project next week.

The fourth project I mentioned above is the image manipulation, printing and cutting of the last volumes of City Shields. Forever!

© 2011 Louise Levergneux, City Shields

This will take more than a week, need to get going.


What I Missed This Christmas Season

I must say I did miss one thing this Christmas, lights, lights and lights! Being new to Boise and trying to catch up on work we did not have our traditional Christmas Eve lights drive. For 30 years on Christmas Eve, we drive around and see what the different neighbourhoods offer and of course finish the evening (when in Ottawa, Canada) with the Parliament Building Christmas light display.

From early December to early January, Ottawa sparkles and shines with thousands of lights

As a Canadian, -40° Celsius is not the weather one goes fiddling around trying to coordinate threads of lights–my opinion! Kudos to the obsessed out there, so I could enjoy your light-work!

I found this video to satisfy my craving for lights this Christmas. The season is over, but you can always enjoy lights! So have a look.

This is my 2007 Christmas Display with 45,000 lights and 176 channels of computer control. Visit holdman.com/christmas for more info. The original file is in Divx format, download the codec at http://tinyurl.com/q454f

 

At the end of December, nature surprised Boise with a glorious snow fall that covered the landscape and turned everything to crystals. I took this opportunity to take many photos. Here is one of my favourites:

© 2015 Louise Levergneux, winter in Avimor, Idaho

© 2015 Louise Levergneux, winter in Avimor, Idaho

 

During the holiday season I always take the opportunity to get ahead with the administration part of running a studio. Oh! a little plug here–Outside the Studio is on sale till the end of January with a 15% discount on each book. 

Outside of the Studio was started when I felt I was spending too much time in my studio. I needed to get my mind off book production routines, and play a little.

I decided to make a flip book a week for the next year, after researching artists who created flip books as part of their practice. I was confident that the strict time limit and rapid pace would free up my creativity. 

I needed a theme to organize the series around, I soon identified a concept, the Four Classical Elements: Fire, Air, Earth and Water. The Fire element would be represented by light; Air, by wind; Earth by people, animals or insects; and Water, by it’s own differing states of liquid, vapor and solid. The Outside The Studio Series was launched! 

The whole series of flip books can be seen at: http://www.louiselevergneux.com/#/out-of-the-studio/

Here is the flip book produced on week 48:

The whirlwind of the holidays has finally passed. Now I can continue with my new artists’ books and decorative boxes.

I started the year without my D-SLR, I had to leave it at the shop during the holidays. Hope it is surviving this surgery!!

My camera died as I was trying to photograph my new artists’ books and finish two “Call to Artists” applications. Great timing! Without a camera, it’s like going through withdrawals...

Below is a sample of my new decorative boxes, more photos will be on my website as soon as my camera is back in my hands.

© 2016 Louise Levergneux, Decorative Box

© 2016 Louise Levergneux, Decorative Box

I need to get back to work–withdrawals and all. I will share later.