Confined in Arizona

I hope you are all safe and taking this self-isolation time to keep busy so doldrums don’t become the new normal. 

For me, social distancing means no studio visits, I do miss the physical interaction with artists in their private atelier. Strategically planning these impressive outings throughout the year was a lovely diversion during my continuous travels. Talking and sharing ideas with artists paved the way for brainstorming on new concepts. I undoubtedly gained in depth knowledge on binding, which could be applied in my new artists’ books.

My only communication these days, like most of you, is by virtual contact between family and friends. Some of us share “happy hour”, converse our quest for life’s journey and most important knowing everyone is safe and well.

© 2020 Louise Levergneux. An Argentine Giant Cactus in bloom at the Fiesta Grande RV Resort in Casa Grande, Arizona.

© 2020 Louise Levergneux. An Argentine Giant Cactus in bloom at the Fiesta Grande RV Resort in Casa Grande, Arizona.

In late March, with the shelter-in-place directive, we got grounded in Casa Grande, Arizona. The southwest is not a bad area to be stuck in, with it’s sunshine and blooming cacti. But, by the end of April, severe temperatures reached 107° F. It is getting HOT, HOT, HOT!

Shelter-in-place has given me the opportunity to start working on different projects. Meticulously planning my concepts, printing the visuals, writing statements, and studying Photoshop in more detail... 

© 2020 Louise Levergneux. Working on my 20th Anniversary cover for City Shields. Already 20 years has passed since the beginning of my on-going projet of manhole covers. WOW!

© 2020 Louise Levergneux. Working on my 20th Anniversary cover for City Shields. Already 20 years has passed since the beginning of my on-going projet of manhole covers. WOW!

I’m making headway with the 20th Anniversary booklet of City Shields. One can’t wield a mighty hammer to pierce a small hole! — I’m frustrated at trying to use the necessary software rarely utilized in the past year.

© 2020 Louise Levergneux. The cover for City Shields’ 20th Anniversary package edition in progress. This is the first draft, the design may change as the work progresses.

We often swear at the technology in our possession but in these uncertain times, the internet has proven to be a valuable tool. I sincerely appreciate the social contact with all of you through private emails or communications received by the BookListServ though not as many as before the pandemic. Listening to Helen Hiebert podcasts brings a sense of closeness. The informative videos of John Cutrone, Book Arts 101: Home Edition takes us on different journeys. Different blog posts like the familiar one from Catherine Miller and Guylaine Couture naturally prompt me to smile as I have visited both artists. Many sincere thanks for your continual dialogue during our social isolation. 

These digital dialogues expand opportunities for me to receive information on newly completed artwork or work in progress from many artists. You could say that these are my new virtual studio visits. I joyfully received this artist statement from Jim Jenkins of Illinois. Jim is conscientiously working on a wordsculpture and transmitted it for review and comment. Between his first email and now, he has undoubtedly gone through additional re-crafting as we all do at the early stages of creative production.

After the clever piece had stirred up a bit more in Jim’s active mind, I received a shortened version of his statement for Cosmic Clockwork Comet and some images of the final artwork to present to my readers.

It has been said that time is an event more than anything else. We remember events, we usually don’t remember time passing as in the ticking of a clock. We usually don’t remember our hours of uneventful boredom unless we find some important thought momentarily hidden and then revealed within our boredom. Perhaps, this is when and how the sculpture began. Halley’s Comet and the fact that it is periodic and only visible to us every 75-76 years; provides a beginning, which in and of itself, is an event. The comet is on a far reaching elliptical orbit, a self-referential timed event, chronicled historically, beginning in 239 BCE in China. Mark Twain who was born and raised very near Quincy famously said that he was born on the arrival of Halley’s Comet in 1835 but would probably not be on Earth to witness the return. This proved to be true as he did pass away within the year of the return. Our perception of all things is contingent upon our ability to see, our individual vision. Things that are unseen or left out are many times as valuable to our understanding as what is visible. Some objects mirror other objects within our field of vision. An object like the comet is only occasionally visible. That doesn’t mean that it isn’t there it just means we lack the long range vision to see it. We do know however, it’s out there physically but imperceptible. I’ve incorporated two purposeful dates into the sculpture: 2020 the year of the placement of the sculpture and 2061 the return date of the comet. The students attending Quincy Junior High School today may very well see the return of Halley’s Comet, it’s unlikely I will. This will give me and Mark Twain something in common. What the world will look like in 41 years is of course unknowable and un-seeable today. This is at the core of the sculpture. The seen and the unseen, the thing and the no-thing.

J. Jenkins © 04.17.2020

3D C^34Q 03282020.png

© 2020 Jim Jenkins. COSMIC CLOCKWORK COMET by Jim Jenkins for Quincy Junior High School “Celebration of Education Sculpture Series.”

© 2020 Jim Jenkins. COSMIC CLOCKWORK COMET by Jim Jenkins, funded by The Moorman Foundation & Arts Quincy.

© 2020 Jim Jenkins. COSMIC CLOCKWORK COMET by Jim Jenkins, funded by The Moorman Foundation & Arts Quincy.

© 2020 Jim Jenkins. COSMIC CLOCKWORK COMET, drawing by Jim Jenkins.

© 2020 Jim Jenkins. COSMIC CLOCKWORK COMET, drawing by Jim Jenkins.

As we all continue to self-Isolate, remember that communication with others via digital dialogue helps us to be together alone. STAY WELL! 

© 2020 Louise Levergneux. Beauty is everywhere. First Light, Hybrid Torch Cactus in Casa Grande, Arizona.

© 2020 Louise Levergneux. Beauty is everywhere. First Light, Hybrid Torch Cactus in Casa Grande, Arizona.

Book Arts Collection in Texas

As I travel, my on-going goal is to promote my artists' books. After a few emails to book arts collections in Texas, I scheduled two appointments.

My first rendez-vous was with Shā Towers, Curator of the Book Arts Collection, Art Liaison Librarian, and Associate Director of the Central Libraries at Baylor University. Since 2007, the artists’ book collection of The Crouch Fine Arts Library has grown to over 800 works representing many artists and presses. The collection functions as a teaching collection for both studio artists working in the medium and various disciplines outside the arts. The collection includes a wide-ranging representation of everything from single-page constructions, complex forms, sculptural book-works, fine press, letterpress, photography, handmade papers, textiles, collaborative works, and more.

© 2017 Louise Levergneux, the Jesse H Jones Library, one of the central libraries at Baylor University in Waco, Texas

© 2017 Louise Levergneux, the Jesse H Jones Library, one of the central libraries at Baylor University in Waco, Texas

© 2017 Louise Levergneux, the Jesse H Jones Library entrance to a very friendly staff

© 2017 Louise Levergneux, the Jesse H Jones Library entrance to a very friendly staff

I arrived in Waco, had a pleasant visit and exchange on the Library collection with Shā. Following my artists' books presentation, I left re-energized. It’s nice to talk with someone who has an understanding, interest and creates artists' books.

I'm thrilled to say my artists’ books: Conversation, Decades Apart, Traverse, the Texas and New Mexico volumes of City Shields, are now part of the Crouch Fine Arts Library.

© 2016 Louise Levergneux, Conversation

© 2016 Louise Levergneux, Conversation

© 2015 Louise Levergneux, Traverse

© 2015 Louise Levergneux, Traverse

© 2012 Louise Levergneux, Decades Apart

© 2006 Louise Levergneux, City Shields, New Mexico volume

© 2017 Louise Levergneux, door in downtown Waco, Texas

© 2017 Louise Levergneux, door in downtown Waco, Texas

My second consultation was with Rebecca Pad, Humanities Liaison Librarian for the Fine Arts Library at the University of Texas.

© 2017 Louise Levergneux, Oak trees around the Doty Fine Arts Building 

© 2017 Louise Levergneux, Oak trees around the Doty Fine Arts Building 

Examples of Artists' Books can be found in Libraries and Art Collections across the University campus. The artists' books in these collections contain illustrations by artists, livres d'artistes, multiple-copied and inexpensive produced booklets, limited-edition, and handcrafted books.

Rebecca Pad, three other colleagues and I sat and reviewed my books. I took pleasure in seeing my ideas and concepts experienced with amusement. I’m fond of bringing a smile to the reader, part of my artistic statement and philosophy behind my work.

At the end of our session, the Fine Arts Library acquired Ambivalence, a flip book from the Outside of the Studio series entitled Earth.20 and my last published book Shadow Me.

© 2010 Louise Levergneux, Ambivalence

© 2010 Louise Levergneux, Ambivalence

© 2012 Louise Levergneux, Earth.20 from the Outside the Studio Series

© 2017 Louise Levergneux, Shadow Me

© 2017 Louise Levergneux, Shadow Me

Shadow Me is a documentary that exemplifies solitary moments after the loss of unconditional love of a devoted companion. Rebecca was touched by this book, I’m glad it's now part of the collection.

In the past, I wasn’t keen on talking about my work, but Texans have a way of welcoming you, what can I say Y'all made me feel at home!


Kansas

Every year, I cross the country via different highways depending on visits to friends and family. The goal of this eastward trip was a visit to my friend, Dana in Nashville, Tennessee, a conference Michael was taking part in Washington, and visiting artists. 

As we crossed Kansas, un séjour in Dodge City was in order. In Dodge City, like most tourists, I followed the Trail of Fame that leads you through the downtown? Twenty-nine bronze medallions and markers are found and comprise citizens who believe in the community. My collection of manhole covers came to mind. What could I do with my series, my collection? How do I continue the project, or do I?

The images below resurrected my project City Shields for a day.

© 2017 Louise Levergneux, Trail of Fame, Dodge City, Kansas

© 2017 Louise Levergneux, Trail of Fame, Dodge City, Kansas

© 2017 Louise Levergneux, Trail of Fame, Dodge City, Kansas

© 2017 Louise Levergneux, Trail of Fame, Dodge City, Kansas

© 2017 Louise Levergneux, Trail of Fame, Dodge City, Kansas

© 2017 Louise Levergneux, Trail of Fame, Dodge City, Kansas

© 2017 Louise Levergneux, Trail of Fame, Dodge City, Kansas

© 2017 Louise Levergneux, Trail of Fame, Dodge City, Kansas


The action of collecting becomes an obsession for artists. Often the attraction to particular items grows parallel to our work. I found another artist who has a compulsion to remember and to be remembered by way of collecting.

Monica Holtsclaw is a book artist, quilter, and sewer of many things. Monica spends most days in her studio in San Rafael, CA, and also teaches at the San Francisco Center for the Book. Find out the dates of Monica's workshops by visiting her calendar page.

Monica’s artists’ book Memory Palace was insightful. The patience to wait and collect to create a book many years later is admirable.

The pages of Memory Palace are a storage place for a range of tokens representing experiences I saved over the last twenty years. In this way it is a vessel, holding objects I can retrieve at any time to awaken memories temporarily forgotten. Codified by color and arranged chronologically, each item signifies a particular time and place. The structure was chosen because of its resemblance to a series of rooms. A memory palace is a mnemonic device which helps a person to catalog and retrieve information. The creation of Memory Palace has allowed me to transform this mnemonic device into physical reality.

© 2015 Monica Holtsclaw, Memory Palace, 8 x 8 x 1.5 inches (closed)

© 2015 Monica Holtsclaw, Memory Palace, 8 x 8 x 1.5 inches (closed)

© 2015 Monica Holtsclaw, Memory Palace, digital prints on 90lb watercolour paper, Iris book-cloth over binder’s board, foil stamped title

© 2015 Monica Holtsclaw, Memory Palace, digital prints on 90lb watercolour paper, Iris book-cloth over binder’s board, foil stamped title

Another edition in the same genre is Monica’s Moving Forward created for the 2015 Hello Hedi Exhibition at 23 Sandy Gallery in Portland. 

I watched an interview with Hedi Kyle, in which she spoke about her background and gave a tour of her studio. It was a delight to see the objects and structures that influence her, and I saw many of my own interests reflected in what she shared. I found that Hedi is an inspiring collector. I have saved ephemera for years and have been reflecting on what I have saved and have been making work around the theme of these tokens of my past. For this book, I focused on my collection of ground transportation tickets, acquired from 2002 to 2014. I chose Hedi’s Crown Book structure because of the movement of the binding as it opens and its resemblance to spokes of a wheel. 

© 2015 Monica Holtsclaw, Moving Forward, 6.125 x 6.25 x .5 inches

© 2015 Monica Holtsclaw, Moving Forward, 6.125 x 6.25 x .5 inches

© 2015 Monica Holtsclaw, Moving Forward, digital prints on 90lb watercolor paper, Yupo watercolor paper, Fabriano Tiziano paper

© 2015 Monica Holtsclaw, Moving Forward, digital prints on 90lb watercolor paper, Yupo watercolor paper, Fabriano Tiziano paper

© 2015 Monica Holtsclaw, Moving Forward

© 2015 Monica Holtsclaw, Moving Forward

Read what Monica has to say in her own blog posts.


Next stop Tulsa, Oklahoma, what will I find? What will inspire my traveling studio?

 

Tasks...

Tasks at hand this week in my 1/2 Measure Studio... 

The gallery walls of Ming Studios are freshly painted and the pedestals are more or less prepared.

© 2017 Louise Levergneux, Ming Studio Space

© 2017 Louise Levergneux, Ming Studio Space

© 2017 Louise Levergneux, Ming Studio, pedestals being painted

© 2017 Louise Levergneux, Ming Studio, pedestals being painted

I finished the volumes of City Shields, had a couple of boo-boos, re-print time!

© 2017 Louise Levergneux, City Shields oops!

© 2017 Louise Levergneux, City Shields oops!

Spent three days in Salt Lake City for business and pleasure. Taking some time off to relax.

© 2017 Louise Levergneux, hiking in the Dimple Dell Gully Trailhead in Sandy, Utah

© 2017 Louise Levergneux, hiking in the Dimple Dell Gully Trailhead in Sandy, Utah

Received my prints from WhiteWall Photo Lab in Germany. They look great, it’s nice to see the pages of my artists' books in large format.

© 2017 Louise Levergneux, prints for the show

© 2017 Louise Levergneux, prints for the show

I cataloged my books for the exhibition and I’m anticipating the big event at Ming Studios.

© 2017 Louise Levergneux, six artists' books plus 78 volumes of City Sheilds

© 2017 Louise Levergneux, six artists' books plus 78 volumes of City Sheilds

Thinking of submitting to the MCBA Prize—an international artists’ book award. Here are the links for the submission guidelines and the Book Art Biennial. Good luck to all who submit!

Drafting text for a grant, eager for newer and better equipment.

Twittered for the first time!! 

An interesting and busy week filled with preparations.

Last, but not least, excited to finish a prototype of a recently developed artists' book. Will take photos next week.

 

Planning...

My first week of residency behind me, I’m contemplating the space, the books, the projection of images... 

© 2017 Louise Levergneux, Ming Studios in preparation for my residency

© 2017 Louise Levergneux, Ming Studios in preparation for my residency

© 2017 Louise Levergneux, Ming Studios in preparation for my residency

© 2017 Louise Levergneux, Ming Studios in preparation for my residency

There are many details and it’s not a good idea to keep details and lists only in one’s mind. Notes, many notes, are required when creating an on-going project or any edition. These instructions are important to keep around for future reference. Writing details, such as the type of paper, colours used in Photoshop, set-up of jigs, binding... because you will forget! I don’t care how young you are! I’m happy to create an edition at once, but when low on cash, printing when needed is the best way to go, and it creates less inventory.

After answering many emails and particulars for the show at Ming Studios, I took the time to finish another volume of City Shields—Illinois Vol US7 No2. 

© 2017 Louise Levergneux, City Shields—Illinois Vol US No2

© 2017 Louise Levergneux, City Shields—Illinois Vol US No2

When I started the project, each volume contained 18 manhole covers. Since 2006, I print and die-cut the manhole covers myself. With thinner paper, I added three more manhole covers to a volume. More manhole covers the better? Right. Now, I print a volume when I receive an order. It has become more complicated to print odd numbers of manhole covers. I could print three sheets of 13 x 19 inches. Voilà, two volumes printed with no math or a headache. With 21 manhole covers, I always have an odd number to keep track of printing without waste. It becomes a guessing game on what manhole covers to print. Aye! The dilemma of an artist! 

Needing a meditation moment, I cleaned my junk. Screw posts anyone? 

© 2017 Louise Levergneux, my many screw-posts

© 2017 Louise Levergneux, my many screw-posts


The National Gallery of Canada Library and Archives and the Centre Canadien d'architecture have purchased these new volumes. The volumes are in the mail today.

© 2017 Louise Levergneux, eleven new volumes of City Shields

© 2017 Louise Levergneux, eleven new volumes of City Shields

A new week begins, must get ready for more conversations and planning. Check it out