Walkies Anyone!

My studio is silent and empty. 

During these quiet times, art administration and searching the internet are my only diversion. I must admit, the record keeping in a database is boring!

So I brought my attention to artists who have created artwork with their muse in mind. In my bookmarked pages, I found two artists’ books that are worth mentioning. 

Andrew Huot who works under the imprint Big River Bindery published A Walk with Rosie. In his artists' book, Andrew uses simple graphics to bring us a daily routine with his canine companion. Genius! 

Andrew’s book chronicles two weeks of daily walks with his dog in his Philadelphia neighborhood, marking the routes and occurrences on the way. The city is reduced to a line, a shape, and color, and transparent papers reveal the echoes of yesterday and an allusion to tomorrow. A Walk with Rosie printed with relief blocks, pochoir, and handset type on sekishu paper is an edition of 20, bound in cloth and paper. 

Don’t you wish you would have thought of this one first? 

© 2009 Andrew Huot, A Walk with Rosie

© 2009 Andrew Huot, A Walk with Rosie

© 2009 Andrew Huot, A Walk with Rosie

© 2009 Andrew Huot, A Walk with Rosie

© 2009 Andrew Huot, A Walk with Rosie

© 2009 Andrew Huot, A Walk with Rosie

© 2009 Andrew Huot, A Walk with Rosie

© 2009 Andrew Huot, A Walk with Rosie


I also re-discovered Gaëlle Pelachaud’s book, New York. I remember searching a particular book structure back in 2013 when Gaëlle’s book surfaced on my screen. 

Gaëlle’s goal for this book was to photograph people walking with their dog. During a four-day journey in New York City, Gaëlle also observed the architecture. The cut-outs in each fold of the book represent the buildings in the environment.

For each of my books, I research the structure, the architecture of the page. For my work New York, the construction and the cuts are the connection to the images—the dog walkers. There is a formal game between image, form, and colour. My book gives rhythm to the theme of a visual walk. 

© 2012 Gaëlle Pelachaud, Éditions Rafaël Andréa, New York

© 2012 Gaëlle Pelachaud, Éditions Rafaël Andréa, New York

© 2012 Gaëlle Pelachaud, Éditions Rafaël Andréa, New York, livre animé sculpture de papier

© 2012 Gaëlle Pelachaud, Éditions Rafaël Andréa, New York, livre animé sculpture de papier

© 2012 Gaëlle Pelachaud, Éditions Rafaël Andréa, New York

© 2012 Gaëlle Pelachaud, Éditions Rafaël Andréa, New York

What have you created with your muse in mind?

A Studio Muse

Tools, equipment, papers, cloth... and most of all inventory fills an artist’s studio. We fail to remember a precious piece—our muse that sits in a corner or in front of the printer table so you notice their presence—our pet. 

This furry friend disturbing my concentration with a favourite toy, a nod for food or a walk, wonders why I don’t always jump at her demands. With index finger extended, I whisper “just a minute, mommy's almost done”. In a few minutes, this bundle of joy comes running tail wagging with no criticism. Dragging a new toy and a bigger smile inviting me to play again. My four-legged family member relieves frustrating moments in the atelier with a carefree attitude whether I’m printing, cutting, writing or binding. I believe the unconditional love inherent of my devoted companion permeates my artistic spirit. 

Do you have a muse in your studio helping with your productive energy? My little Sheltie Topaz has inspired me to create these artists’ books:

© 2003 Louise Levergneux, Topaz made her debut in my series Equinox, the albums explore the repetitiveness of quotidian life

© 2003 Louise Levergneux, Topaz made her debut in my series Equinox, the albums explore the repetitiveness of quotidian life

© 2005 Louise Levergneux, Topaz was the inspiration for Beside Me, a collection that comprised teams

© 2006 Louise Levergneux, Topaz participated in the artists' book Ambivalence, a photographic documentation of Ohio cemeteries provoking a feeling of ambivalence in the viewer

© 2006 Louise Levergneux, Topaz participated in the artists' book Ambivalence, a photographic documentation of Ohio cemeteries provoking a feeling of ambivalence in the viewer

© 2012 Louise Levergneux, obsession is a documentary that portrays Topaz's obsession with her daily routine

© 2012 Louise Levergneux, obsession is a documentary that portrays Topaz's obsession with her daily routine

© 2012 Louise Levergneux, Topaz was very willing to act on command and be photographed for A Day Filled with Onomatopoeias, an interactive book based on the word onomatopoeia and it’s definition

© 2012 Louise Levergneux, Topaz was very willing to act on command and be photographed for A Day Filled with Onomatopoeias, an interactive book based on the word onomatopoeia and it’s definition

Topaz was also part of my series Outside the Studio, below is the video of the flip book entitled week 11 - AIR.2

In loving memory of

Imperial Topaz

January 20, 2002 - November 21, 2016