New Acquisitions on the Road

As an artist, I recognize my world and the many hours I spend on administrivia. The constant disruption of non-stop tasks is troublesome but necessary. I schedule my creativity in between the repetitive tasks and hope there is enough time to finish what delights me.

Apart from the creativity and the operation of a business, it’s meaningful for me to have my published books acquired by collections. How do you manage this part of your art world? How do you create opportunities to sell? Communicating and visiting libraries is all part of the fun side of the territory. The artist is likely the optimum person to talk, explain or promote hers/his work. The creator knows all the details, the frustrations, and the stories behind the wonderful final product—the artists’ book.

I benefited from the privilege of engaging with other dealers in the past. I still pursue an excellent relationship with Vamp & Tramp, Booksellers, LLC out of Birmingham, Alabama.

I discovered that presenting your work is a bit of an adventure. I enjoy seeing the expression of someone reading/viewing my book for the first time. Since some of my books exhibit a playful aspect, the smiles and laughter are inspiring. Traveling and meeting with librarians in the previous year contributed to my self-reflection and recognition of who I am as an artist.

In the Spring, I reached out to Katherine Krzys, Archivist, Interim Head of Distinctive Collections Curator at the Arizona State University Library. The artists’ book collection includes small-print publications created as works of art, exemplifying the importance of collaboration between a writer, artist, papermaker, and printer. Katherine was interested in Entre deux and La Guadalupe and purchased both for the Rare Books and Manuscripts Library. deux and La Guadalupe and purchased both for the Rare Books and Manuscripts Library. 

© 2013 Louise Levergneux, Entre deux

© 2013 Louise Levergneux, Entre deux

© 2013 Louise Levergneux, Entre deux

© 2013 Louise Levergneux, Entre deux

© 2013 Louise Levergneux, La Guadalupe

© 2013 Louise Levergneux, La Guadalupe

© 2013 Louise Levergneux, La Guadalupe

© 2013 Louise Levergneux, La Guadalupe

© 2018 Louise Levergneux, Vernon Alden Library, Ohio UNiversity in Athens, Ohio

© 2018 Louise Levergneux, Vernon Alden Library, Ohio UNiversity in Athens, Ohio

In June, I visited with Michele Jennings at the Vernon Alden Library of the Ohio University in Athens, Ohio. I was fascinated by what books attracted Michele. I received an email just the other day that Michelle was interested in adding 26NOV2006 to the Arts and Archives Library collection.

© 2008 Louise Levergneux, 26NOV2006

© 2008 Louise Levergneux, 26NOV2006

© 2008 Louise Levergneux, 26NOV2006

© 2008 Louise Levergneux, 26NOV2006

I communicated with Jessy Randall, Curator, and Archivist of The Tutt Library of the Colorado College in Colorado Springs. The library maintains collections of rare books, special editions, manuscripts, and published archival material on Colorado. Two volumes of City Shields that include manhole covers around Denver, Vail, Highlands Ranch, and Colorado Springs were added to Special Collections.

© 2018 Louise Levergneux, Tutt Library at the Colorado College in Colorado Springs

© 2018 Louise Levergneux, Tutt Library at the Colorado College in Colorado Springs

© 2016 Louise Levergneux, City Shields, Colorado volume 1

© 2016 Louise Levergneux, City Shields, Colorado volume 1

© 2016 Louise Levergneux, City Shields, Colorado volume 2

© 2016 Louise Levergneux, City Shields, Colorado volume 2

At the beginning of July, I met with Holly Prochaska, MLIS Preservation Librarian of The Robert A Deshon & Karl J Schlachter Library for Design, Architecture, Art, and Planning at the University of Cincinnati. The DAAP Library acquires examples of works in order to provide a rounded view of contemporary attitudes towards the book and to inspire students to think outside the book. Holly is a welcoming individual who also creates artists’ books. In the end, Holly purchased Xtraction and City Shields—the nine Ohio volumes for the Special Collection. 

© 2018 Louise Levergneux, an exhibition of globes at The Robert A Deshon & Karl J Schlachter Library for Design, Architecture, Art, and Planning at the University of Cincinnati

© 2018 Louise Levergneux, an exhibition of globes at The Robert A Deshon & Karl J Schlachter Library for Design, Architecture, Art, and Planning at the University of Cincinnati

© 2018 Louise Levergneux, display of artists' books at the DAAP Library of the University of Cincinnati. A book by JoAnna Poehlmann attracted me with its delicate detail of a tulip, just gorgeous! On the last shelf is the Bon Bon Mots of Julie Chen.

© 2018 Louise Levergneux, display of artists' books at the DAAP Library of the University of Cincinnati. A book by JoAnna Poehlmann attracted me with its delicate detail of a tulip, just gorgeous! On the last shelf is the Bon Bon Mots of Julie Chen.

© 2016 Louise Levergneux, Xtraction

© 2016 Louise Levergneux, Xtraction

© 2016 Louise Levergneux, Xtraction

© 2016 Louise Levergneux, Xtraction

© 2006 Louise Levergneux, City Shields, Ohio volume No 5

© 2006 Louise Levergneux, City Shields, Ohio volume No 5

Excited when reading obsession, Holly decided to add a copy for her own personal collection.

© 2012 Louise Levergneux, obsession

© 2012 Louise Levergneux, obsession

© 2012 Louise Levergneux, obsession

© 2012 Louise Levergneux, obsession

One can never expect to land a sale while visiting a library; but I have been surprised at the response to my publications.

Enjoy your visit and contacts when you can, since it is the best part of the business of art, apart from creating your work.

Papers, papers and more papers!

What variety of papers do you resort to for your printing job — artists’ books, prints, photography? 

Do you own an inkjet printer, a laser printer or a letterpress?

These questions are often asked by other artists or blog readers on the substrate I use to produce my artists’ books. I find papers tactile and love their different textures, whether smooth, rough, lightweight or thick. It's a pleasure to receive a visual signal of the tactile experience a paper communicates.

When I first started producing artists' books, finding papers that would impart the meaning of my publications demanded lots of research. In the end, the potential of papers designed for inkjet printers offered my books their clear, precise, vivid colours, and the contemporary look I enjoy.

© 2016 Louise Levergneux, City Shields manhole covers printed on Generations Quad

© 2016 Louise Levergneux, City Shields manhole covers printed on Generations Quad

Generations Quad (10 mil-260 gsm) was the first inkjet paper I purchased. This is a lustre photographic paper that produces a consistent image with instant dry-time allowing prints to be handled immediately without fingerprints or scuffing. It’s available in different sizes, 13 x 19 inches works well for my template in which I print images of manhole covers for my on-going project City Shields. I can still purchase it after 18 years.

I have used Aspen paper for many book projects, as in the insert for City Shields, the pages for Equinox, 26NOV2006, and Ambivalence. Unfortunately Aspen paper is no longer available.

Using I have printed Parade, Outside the Studio, 6:45, Decades Apart, and obsession. This paper is excellent for folded pages, since it does not seem to break

Papers for inkjet printers are coated and the fibres break when folded even on the proper grain direction. After looking for various types of papers, I identified a couple that work well for the production process of the accordion, fold out, gatefold,

Moab Papers by Legion Papers continue to be some of my favourites. Moab produces fine art, photographic, and specialty papers. Each paper is explained in detail on their website. Moab offers free downloadable profiles for your printer and for each and every paper they sell. Utilizing their profiles will deliver the most satisfactory results. 

Moab page describing profiles to start  downloading  and install

Moab page describing profiles to start downloading and install

Legion Papers offers a selection of papers by its application, category, or by name. The Legion Papers website presents the opportunity to select the perfect paper for the proper printing job by responding to a few questions.

 

Legion Papers website page, most of the choices of paper by  applications

Legion Papers website page, most of the choices of paper by applications

Moab Entrada and Lasal Photo papers

Moab Entrada and Lasal Photo papers

After conversations with contacts at Moab Papers, Lasal Photo Matte, a double-sided paper which prints with sharp and vivid images, and Entrada Rag a 100% cotton fine art paper were wonderful finds. Entrada Rag is archival acid, and lignin-free with superb handling and sharpness. It also has an expanded colour gamut, natural contrast, and high ink load. It is compatible with both dye and pigment inks. I chose Entrada Rag for Perception, Guadalupe, and the flags of my flag-book Faux-pas.

© 2018 Louise Levergneux, detail printed page of Perception on Estrada Rag

© 2018 Louise Levergneux, detail printed page of Perception on Estrada Rag

A Day Filled with Onomatopoeias was printed on Kodak Bright White Matte Inkjet Paper. This paper can be purchased from Office Depot, and produces crisp text, vivid colours and is designed for use with most inkjet printers. It can also be used with laser printers. It was ideal for the comic book look I was focused on creating.colours and is designed for use with most inkjet printers. It can also be used with laser printers. It was ideal for the comic book look I was focused on creating.

© 2018 Louise Levergneux, detail of the turkish map fold page of Finding Home on Kodak Bright White Matte Paper, great paper for folds

© 2018 Louise Levergneux, detail of the turkish map fold page of Finding Home on Kodak Bright White Matte Paper, great paper for folds

Presently, I use primarily Lasal Photo Matte Paper from Moab for my books. It has given me outstanding results for Shadow Me, Finding Home, Conversation, Xtraction, Traverse, and Entre deux. If you're looking for the ideal paper for limited edition books where the prints encounter frequent handling, Lasal Photo is for you. 

© 2018 Louise Levergneux, box of Lasal Photo by Moab in the 12 x 13 inches 

© 2018 Louise Levergneux, box of Lasal Photo by Moab in the 12 x 13 inches 

© 2018 Louise Levergneux, detail printed page of Shadow Me on Lasal Photo from Moab Papers

© 2018 Louise Levergneux, detail printed page of Shadow Me on Lasal Photo from Moab Papers

© 2018 Louise Levergneux, detail printed page of Finding Home on Lasal Photo from Moab Papers

© 2018 Louise Levergneux, detail printed page of Finding Home on Lasal Photo from Moab Papers

I order Moab and Inkpress papers from ITSupplies in Meadows, Illinois and order the Generations Quad from Ink2Image in Glenview, Illinois.

Try these papers and have fun with the results! Let me know what you think.