What variety of papers do you resort to for your printing job — artists’ books, prints, photography?
Do you own an inkjet printer, a laser printer or a letterpress?
These questions are often asked by other artists or blog readers on the substrate I use to produce my artists’ books. I find papers tactile and love their different textures, whether smooth, rough, lightweight or thick. It's a pleasure to receive a visual signal of the tactile experience a paper communicates.
When I first started producing artists' books, finding papers that would impart the meaning of my publications demanded lots of research. In the end, the potential of papers designed for inkjet printers offered my books their clear, precise, vivid colours, and the contemporary look I enjoy.
Generations Quad (10 mil-260 gsm) was the first inkjet paper I purchased. This is a lustre photographic paper that produces a consistent image with instant dry-time allowing prints to be handled immediately without fingerprints or scuffing. It’s available in different sizes, 13 x 19 inches works well for my template in which I print images of manhole covers for my on-going project City Shields. I can still purchase it after 18 years.
Papers for inkjet printers are coated and the fibres break when folded even on the proper grain direction. After looking for various types of papers, I identified a couple that work well for the production process of the accordion, fold out, gatefold,
Moab Papers by Legion Papers continue to be some of my favourites. Moab produces fine art, photographic, and specialty papers. Each paper is explained in detail on their website. Moab offers free downloadable profiles for your printer and for each and every paper they sell. Utilizing their profiles will deliver the most satisfactory results.
After conversations with contacts at Moab Papers, Lasal Photo Matte, a double-sided paper which prints with sharp and vivid images, and Entrada Rag a 100% cotton fine art paper were wonderful finds. Entrada Rag is archival acid, and lignin-free with superb handling and sharpness. It also has an expanded colour gamut, natural contrast, and high ink load. It is compatible with both dye and pigment inks. I chose Entrada Rag for Perception, Guadalupe, and the flags of my flag-book Faux-pas.
A Day Filled with Onomatopoeias was printed on Kodak Bright White Matte Inkjet Paper. This paper can be purchased from Office Depot, and produces crisp text, vivid colours and is designed for use with most inkjet printers. It can also be used with laser printers. It was ideal for the comic book look I was focused on creating.colours and is designed for use with most inkjet printers. It can also be used with laser printers. It was ideal for the comic book look I was focused on creating.
Presently, I use primarily Lasal Photo Matte Paper from Moab for my books. It has given me outstanding results for Shadow Me, Finding Home, Conversation, Xtraction, Traverse, and Entre deux. If you're looking for the ideal paper for limited edition books where the prints encounter frequent handling, Lasal Photo is for you.